*WARNING*
All movies reviewed for
SUNDAY SNUFF contain graphic depictions that may include rape, live animals
being murdered, and extreme gore. None of the writers condone such
acts we just watch this shit.
The funeral industry is an odd little enigma in the United States as
well as our exposure and reaction to that little inevitable bastard known as
death. If you look at other
cultures and how they treat their dead, how much exposure they get of death,
and their beliefs towards death itself you’ll get a very different impression
than the way we deal with it in the ol’ North American continent. This week I’ll be chatting about
Kiyotaka Tsurisaki’s documentary OROZCO THE EMBALMER released in the states by
our good buddy Louis Justin’s company, Massacre Video.
OROZCO THE EMBALMER is about Froilan Orozco, the local embalmer in the
“El Cartucho” neighborhood of Bogota, Columbia. Kiyotaka does an amazing job scanning the landscape,
capturing it on film to really paint the hellish conditions of this neighborhood. The entire area looks like a bomb went
off complete with hollowed out buildings, vast plots of land completely covered
in garbage, and ramshackle homes that make Tijuana look like a kingdom. Kiyotaka also captures a lot of the
local flare in footage featuring drug addled vagrants and drug smuggling
hookers with explosive tempers.
Once establishing a haunting atmosphere, Kiyotaka begins displaying the
central character Froilan Orozco.
Froilan Orozco is to me a typical Funeralista. He is crass, blunt, and lacks any real emotion from decades
of exposure to the worst shit imaginable.
He has been jaded doing the monotonous work of an embalmer for over
forty years and doesn’t really mince words when it comes to complaining about
corpses. Froilan takes great
liberty, I assume, calling almost everyone on his prep table a son of a bitch
at one point then grabs a dead baby a little bastard. Being in many a prep rooms with many seasoned morticians
myself the gallows humor and rough exterior of Froilan is about as natural as
the sun rising. He looks at all of
the corpses that roll through his business as a job that has a start and a
finish and to the average Joe watching this that might sound unbelievable.
From my standpoint, being an embalmer myself, I initially got interested
in this movie to see the inner workings of Froilan’s prep room and his
technique used. Turns out he
doesn’t really embalm anything, a fact I think is funnier than I can even begin
to describe. My ethnocentric mind
immediately assumed there was a few universal procedures of embalming that are
shared in some regard or another across the entire world. What Froilan does is a little different
than the typical embalming as we know it.
First he gets the deceased onto his prep table, a long metal table that
has iron bars across the top of it so when he cuts open your stomach and fills
your body with water he can roll you over to spill all of your guts out. That’s after he disconnects all of your
viscera and deflates all of the air pockets in your intestines of course. The first time I saw this scene it
reminded me that the pressure in your body is higher than the atmosphere, so
when you get cut open your intestines pop out like that old gag gift snakes in
a can, oh memories! After he
cleans off your guts, Froilan puts them into a bag and jams them back into your
body cavity, pours formalin (a solution of water, high amounts of formaldehyde,
and methanol) in you, jams some rags into you to maintain a normal looking
body, and stitches you on up.
After that he puts cotton on a knife that looks way too big and fills
your nostrils and mouth. If I
remember right Froilan explains a basic embalming like that equals about
$40-$60 American dollars, and if you’re fat it’s more expensive so lay of the
Carl’s Jr. and Arby’s folks.
Kiyotaka visits with a few other embalmers and of course they all talk
shit about each other and the shotty embalming jobs they all try to pass off as
skill, just like in real life kids!
One of the other embalmers shows us how he preserves a body that’s about
to go to a hot and humid area. He
takes a very big knife, lifts the upper lip and starts severing all of the
connective tissue in the cheeks.
Then he switches to the eyes and jams the knife under the skin around
the forehead and cheeks as well.
This was insane to watch to say the least but it was necessary to
prevent moisture from building in the tissue from the humidity, I guess. After embalmer #2 gets finished he
takes an additional stab at Froilan stating he can preserve a body for 20 to 30
days and Froilan could not.
The film also goes to the scene of a few deaths where authorities arrive
to investigate or lack there of. A
body dead in the street or wedged against a house is an everyday occurrence and
in every scene all of the locals crowd around and watch the deceased get rolled
around, stripped, and investigated for the cause of death. Even little kids get a front row view,
all of who look like they’ve seen the same scene hundreds of times and aren’t
too disturbed by it, unlike all of the whimpering pussy 8 year olds we have in
the United States.
OROZCO THE EMBALMER could’ve been 3 hours long and it would have
captivated me the whole way through.
The story is interesting and the filmmaker does an amazing job capturing
a complete picture of the aging embalmer, the shit hole he lives in, and the
daily activities he dutifully performs.
Do yourself a favor and pick this up at www.massacrevideo.com
Some additional insight to the movie and Froilan can be found here, http://www.orozcoelembalsamador.com/public_html/en/contents_who.html
Blake
and Jimmy’s Extreme-O-Gauge!
Realistic
Gore: 5 out of 5, it’s the real deal kids.
Rape:
0 out of 0.
Animal
Death: 0 out of 0
Necrophilia:
0 out of 0, but if you look at the above website there is a monetary figure for
this.
Torture: 0 out of 0, the dead feel no pain.
Overall Movie: 5 out of 5, this movie was incredible!
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